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Category Archives: Hard Rock

Letters From The Fire-Letters From The Fire-CDEP-FLAC-2014-FORSAKEN

Letters From The Fire-Letters From The Fire-CDEP-FLAC-2014-FORSAKEN Download

Letters From The Fire-Letters From The Fire-CDEP-FLAC-2014-FORSAKEN

Description :

Artist : Letters From The Fire
Album : Letters From The Fire
Label : Independent
Genre : Hard Rock
Source : CDEP
Street Date : 2014-08-19
Quality : 1022kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 132.96 MB
Time : 17:18 min
Url : http://lettersfromthefire.net/

1. Zombies In The Sun 3:32
2. Eleanor Rigby 2:50
3. This Moment 3:21
4. Waiting 4:12
5. Zombies In The Sun (Acoustic) 3:23

In 2003, Metallica brought their Summer Sanitarium Tour to the
Candlestick Park. It was this day that Mike Keller, founding
member of Letters From The Fire, realized what he wanted to do in
life. He wanted to rock. “Watching Metallica, along with Limp
Bizkit, Linkin Park, the Deftones and Mudvayne up on that stage…
it just hit me that I wanted to be doing that one day,” Keller
admits. Keller’s high school buddy, Grayson Hurd, had the same
epiphany a few months later watching Linkin Park’s Meteora World
Tour. Being two of the only people in their circle of friends
that played guitar, the pair found a garage and started spending
time between school and football practice jamming together.

After a few years of casually playing, Keller and Hurd decided to
give their dreams a real shot. In January 2007, they played their
first show under the name of Park Lane. From here on out, the two
began to recruit other musicians and worked to find their sound.
To help with the process, they were able to jump into the studio
with Mike Boden (Mudvayne, Joe Satriani, Carrie Underwood).
Although the tracks were ultimately not released, the experience
helped the band become who they are today.

In 2009, Clayton Wages responded to a Craigslist “Bassist Wanted”
listing. After a meeting and an audition, he became the newest
member of the band. “Who says you can’t find a bad ass musician
on Craigslist?!” Hurd asks. With the addition of Wages, three of
the four current band members had come together.

Also in 2009, Park Lane began touring. Beginning with dates
around their hometown in California, the band ended the year
playing over 30 shows in six states. A summer tour in 2010
followed, and a national tour as main support to FUEL began in
August of 2011. “There’s nothing like finally being able to play
the music that we write in front of people that we’ve never met.
Sometimes, we would get to a city and play a show where people
already knew our songs. Considering we jumped on the tour less
than a month before, that was really awesome,” Keller exclaims.

In the midst of the tour with FUEL, the band released their first
full-length album on September 20. This twelve track album was
produced by Michael Rosen (Papa Roach, Rancid, AFI, Santana) and
was the band’s first taste of a full-fledged production. Hurd
explains what it was like working with Rosen: “Before we jumped
into the studio for that album, a lot of songs we had written
were covered in ‘teenage angst.’ Rosen showed us how to tear our
songs apart to put them back together better than before. In the
end, I think working on that record with him is when we really
learned how to write music.”

Due to a lack of confidence that Park Lane was a “cool enough
band name to carry forward with” and multiple trademark issues,
Park Lane officially became Letters From The Fire in July 2012.
The new name originally came from the working title of a song
that was on Park Lane’s 2011 release. It later became the actual
title of that record and, more importantly, the band’s new name.

For the first release as Letters From The Fire, the band enlisted
help from industry veterans. Rebirth was released in 2012 and
featured five new tracks. The EP was produced by Evanescence
co-founder Ben Moody. Other accomplishments of Moody’s include
work with Celine Dion, Avril Lavigne, and Daughtry and
songwriting credits like Kelly Clarkson’s smash hit “Because of
You.” In addition to Moody’s expertise, Josh Newell engineered
the EP. Former bass player for In This Moment, Newell’s engineer
credits include Linkin Park’s A Thousand Suns and the band’s
Summer 2014 release The Hunting Party. Dan Certa (Kelly Clarkson,
The Fray, Celine Dion, Seether, P.O.D) also joined the project
and mixed Rebirth.

To support this release, Letters From The Fire joined the Around
The World…Beneath The Scars Tour with 12 Stones and The Letter
Black. As this tour wrapped, the departure of Letters From The
Fire’s lead singer opened up a new search for the next voice of
the band. Keller, Hurd, and Wages found the sound they always
envisioned for the band in May of 2013. This was the voice of
Elliot Weber.

Since adding Weber, Letters From The Fire has been working on
their next full-length album with TRAPT lead singer, Chris Taylor
Brown.

Here’s what Brown says of the band and what fans can expect from
the new album: “Letters From The Fire is a band years in the
making and I’ve been fortunate enough to see their progression
from the beginning. The new album has some of the sickest guitar
riffs I’ve heard in a long time. Elliot’s vocals are the perfect
complement to a band that can only be described as melodic metal.
As ferocious and heavy as their music can be, the vocals add a
beautiful and sincere tone to the dark ambience present in the
band’s music. Lyrical themes touch deeply on personal conflict,
dreams, aspirations and the hidden tragedies that go on all
around us that so few have the insight to write about. Be
prepared to see (and most importantly hear) a lot from my friends
in Letters From The Fire.”

Dan Certa is mixing this project as well. The new release from
Letters From The Fire is slated for Summer 2014.

In the meantime, you can hear Letters From The Fire’s rendition
of The Beatles’ popular track “Eleanor Rigby” on Active Rock
Radio beginning Spring 2014.
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Guns N’ Roses – Discography (1987-2008) [FLAC]

Guns N’ Roses – Discography (1987-2008) [FLAC]
flac – lossless | 4.28 GB | Hard Rock

At a time when pop was dominated by dance music and pop-metal, Guns N’ Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don’t play rock & roll. They were ugly, misogynistic, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, “Sweet Child O’ Mine,” showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N’ Roses’ music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest — everything that good hard rock and heavy metal should be. There was something refreshing about a band that could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn’t been a hard rock band this raw or talented in years, and they were given added weight by Rose’s primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the ’80s became the ’90s, there simply wasn’t a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose’s supporting cast gradually disintegrated, as he spent years in seclusion.

Guns N’ Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released its debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn’t start selling until almost a year later, when MTV started playing “Sweet Child O’ Mine.” Soon, both the album and single shot to number one, and Guns N’ Roses became one of the biggest bands in the world. Their debut single, “Welcome to the Jungle,” was re-released and shot into the Top Ten, and “Paradise City” followed in its footsteps. By the end of 1988, they released G N’ R Lies, which paired four new, acoustic-based songs (including the Top Five hit “Patience”) with their first EP. G N’ R Lies’ inflammatory closer, “One in a Million,” sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune.

Guns N’ Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all.

Nirvana’s Nevermind hit number one in early 1992, suddenly making Guns N’ Roses — with all of their pretensions, impressionistic videos, models, and rock star excesses — seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost its best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. GNR didn’t fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but its own Appetite for Destruction. By the middle of 1994, there were rumors flying that GNR were about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash’s Snakepit and an LP, It’s Five O’Clock Somewhere.

Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians — including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck — for informal jam sessions. Remaining members were infuriated by Rose’s inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones’ “Sympathy for the Devil” was essentially the straw that broke the camel’s back, as Rose cut out some of the other members’ contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N’ Roses, leaving Rose the lone remaining survivor from the group’s heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the industrial metal sludge of “Oh My God” finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era: ’87-’93.

The year 2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead, and 2001 was greeted with Guns N’ Roses’ first live dates in nearly seven years, as the band (which consisted of Rose plus guitarists Finck and Buckethead, bassist Stinson, former Primus drummer Brian “Brain” Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Year’s Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Year’s Eve 2001, the band played almost the exact same set as the year before.

An appearance at MTV’s 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn’t coming out anytime soon didn’t do much to further their cause. That summer, GNR started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002.

And so years passed and still no new GNR album, to the point where it became one joke too many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published in March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled “The Most Expensive Album Never Released,” Rose began work on the album in 1994 and racked up production costs of at least $13 million dollars. Producers involved with the album at one time or another included Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well.) Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows. The music industry’s biggest boondoggle finally bore fruit in 2008 when Axl unveiled a record that was well over a decade in the making. While Chinese Democracy received many rave reviews, and the critical response was positive overall, the record underperformed (its almost impossible) expectations, debuting at number three on the Billboard 200 when it came out in November. A worldwide tour followed.

1987 – Appetite for Destruction [1997 MFSL Remaster]
1987 – Guns N’ Roses [EP] (also known as ‘Live from the Jungle’)
1988 – G N’ R Lies
1991 – Use Your Illusion I
1991 – Use Your Illusion II
1993 – “The Spaghetti Incident?”
1999 – Live Era ’87-’93 [Japan Edition]
2004 – Greatest Hits
2008 – Chinese Democracy

Full album artwork and rip logs are also included. Enjoy!

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Charisma-Roots Rock Deep-CDEP-FLAC-2005-mwndX

Charisma-Roots Rock Deep-CDEP-FLAC-2005-mwndX Download

Charisma-Roots Rock Deep-CDEP-FLAC-2005-mwndX

Description :

Charisma-Roots Rock Deep

Artist : Charisma
Album : Roots Rock Deep
Label : self-released
Year : 2005

Genre : Hard Rock Source : CDDA
Encoder : FLAC 1.2.1 Bitrate : 1043kbps
Playtime : 12:31 min Size : 93,27 MB

Tracks:

01 Painted 03:00
02 Passed Away 03:39
03 I Shed 03:11
04 Kolmen kuusen kyl 02:41
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Electric Mary-The Last Great Hope-CDEP-FLAC-2014-OUTERSPACE

Electric Mary-The Last Great Hope-CDEP-FLAC-2014-OUTERSPACE Download

Electric Mary-The Last Great Hope-CDEP-FLAC-2014-OUTERSPACE

Description :

Information:
Source : CDEP
Artist : Electric Mary
Album : The Last Great Hope
Genre : Hard Rock
Year : 2014
Street date : 2014-00-00
Rip Date : 2014-08-13
Encoder : FLAC1.2.1
Quality : 999 kbps avg
Size : 154.75 megs

Tracklist:
1. Sweet Mary C 3:04
2. Welcome To The Otherside 3:28
3. Nicotine 4:05
4. Already Gone 6:23
5. So Cruel (2014) 3:41
——
20:41

Notes:
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Devotion-Videostreet-CD-FLAC-2013-OUTERSPACE

Devotion-Videostreet-CD-FLAC-2013-OUTERSPACE Download

Devotion-Videostreet-CD-FLAC-2013-OUTERSPACE

Description :

Information:
Source : CD
Artist : Devotion
Album : Videostreet
Genre : Hard Rock
Year : 2013
Street date : 2013-00-00
Rip Date : 2014-08-22
Encoder : FLAC1.2.1
Quality : 989 kbps avg
Size : 298.00 megs

Tracklist:
1. Wolf Theory 3:53
2. Double Dragon 4:49
3. Delay 2:52
4. Candle of Life 4:56
5. Ghost 3:21
6. The Sound of Voices 4:17
7. Apartment 3:18
8. Icarus Wings 3:47
9. Envy 3:48
10. Traditional Skin 4:58
——
39:59

Notes:
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Devotion-Sweet Party-CD-FLAC-2010-OUTERSPACE

Devotion-Sweet Party-CD-FLAC-2010-OUTERSPACE Download

Devotion-Sweet Party-CD-FLAC-2010-OUTERSPACE

Description :

Information:
Source : CD
Artist : Devotion
Album : Sweet Party
Genre : Hard Rock
Year : 2010
Street date : 2010-00-00
Rip Date : 2014-08-22
Encoder : FLAC1.2.1
Quality : 990 kbps avg
Size : 213.21 megs

Tracklist:
1. Calendula 2:42
2. Teen Diary 2:56
3. Paper Boy 3:44
4. Asian Fantasy 2:07
5. Last Coffee Motel 3:59
6. Bubbles 2:59
7. Pain (T) 3:17
8. Palpebra 2:18
9. Manga Football 2:46
10. Peignor Vert 1:55
——
28:43

Notes:
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Uriah Heep – Discography (1970-2014) [FLAC]

Genre: Hard Rock 
Year of Publication : 198? -2011
Audio Codec: FLAC (* .flac) 
Rip type: image + .cue 
Bitrate audio: lossless

Uriah Heep are an English rock band formed in London in 1969 and are regarded as one of the seminal hard rock acts of the early 1970s.Uriah Heep’s progressive/art rock/heavy metal fusion’s distinctive features have always included a massive keyboard sound, strong vocal harmonies and (in the early years) David Byron’s quasi-operatic vocals.Twelve of the band’s albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972).In the late 1970s the band had massive success in Germany, where the “Lady in Black” single was a big hit.Along with Black Sabbath, Deep Purple and Led Zeppelin, Uriah Heep had become one of the top bands in the early 1970s – one of “The Big 4″ of hard rock.

Uriah Heep’s audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.

http://en.wikipedia.org/wiki/Uriah_Heep_(band)
http://www.allmusic.com/artist/uriah-heep-mn0000835648

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The Veer Union-Against The Grain-CD-FLAC-2009-FORSAKEN

The Veer Union-Against The Grain-CD-FLAC-2009-FORSAKEN Download

The Veer Union-Against The Grain-CD-FLAC-2009-FORSAKEN

Description :

Artist : The Veer Union
Album : Against The Grain
Label : Universal Motown Records
Genre : Hard Rock
Source : CD
Street Date : 2009-04-02
Quality : 1020kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 319.17 MB
Time : 41:56 min
Url : http://www.theveerunion.com/

1. Seasons 3:47
2. Youth Of Yesterday 2:54
3. Over Me 3:15
4. Darker Side Of Me 2:45
5. I’m Sorry 3:51
6. Final Moment 3:32
7. Better Believe It 3:17
8. Into Your Garden 3:12
9. Your Love Kills Me 3:11
10. Breathing In 4:00
11. Where I Want To Be 2:40
12. What Have We Done 5:32

Vancouver, Canada’s THE VEER UNION is a young band with the
future on their mind. “The majority of our songs are about hope.
The band has been through its ups and downs and hope has gotten
us this far,” says vocalist Crispin Earl. “Our songs are about
our life experiences and our view isn’t spiteful or cynical.” It
is that optimism, combined with their drive and work ethic that
promises to translate THE VEER UNION’s success to the U.S.
market. The band was formed in late 2004 by Crispin Earl and
guitarist, Eric Schraeder. Originally from Port Alberni on
Vancouver Island, the two longtime friends and neighbors had a
common bond: “We had played in bands together and we were both
living out of our rehearsal studios in downtown East Vancouver,”
recalls Crispin. Living for their music was to become the thing
that held the UNION together. Crispin, who was then the vocalist
for a popular local band called Everything After, was gaining
national attention as a songwriter with credits on Motley Crue
drummer Tommy Lee’s solo CD Tommyland: The Ride. Eric, who had
recently relocated back to Vancouver after a stint in Los Angeles
playing with the band 40 Foot Echo (Hollywood Records), was
working on projects of his own. The two wrote music together for
months and found their styles extremely compatible. After this
productive time, they determined it was time to find bandmates
who shared their mindset. While multi-instrumentalists Eric and
Crispin were recording demos for what was to become their major
label debut — AGAINST THE GRAIN — they were introduced to Marc
Roots (Roots) and James Fiddler (Fid) through a mutual friend.
The bassist and guitarist had been in bands together and had been
out on the road for some time. The four became close friends and
formed a strong bond before they had even picked up instruments
to jam with one another. Neil Beaton, a drummer from Langley, BC
entered the fold when the band lost their original drummer.
Having spent time on the road with the band as the drum tech, he
understood and shared the strong bond between the band members
and their drive to succeed . After nearly two years of endless
touring across the continent, the band signed a record deal with
Universal Motown Records and recorded AGAINST THE GRAIN with
producer Greg Archilla (Collective Soul, Matchbox 20, Buckcherry)
with a couple of tracks produced by Brian Howes (Hinder, Hedley,
Daughtry and Rev Theory). Their anthemic tracks stick in your
head long after the first listen. Guitar-driven, “Seasons”
features a particularly powerful vocal performance from Crispin.
“Over Me” delivers the message of regret over an evocative
musical landscape where Eric and Fid truly shine. “Seasons,
lyrically, is about seizing the day,” says Eric. “It’s a sick
live track — really cool to play.” Young, energetic and riding
high on great audience response to their live sets, THE VEER
UNION are ready to detour their way onto America’s playlists.
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Adelitas Way-Stuck-Deluxe Edition-CD-FLAC-2014-FORSAKEN

Adelitas Way-Stuck-Deluxe Edition-CD-FLAC-2014-FORSAKEN Download

Adelitas Way-Stuck-Deluxe Edition-CD-FLAC-2014-FORSAKEN

Description :

Artist : Adelitas Way
Album : Stuck
Label : CMG/Virgin
Genre : Hard Rock
Source : CD
Street Date : 2014-00-00
Quality : 1001kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 350.24 MB
Time : 46:28 min
Url : http://www.adelitaswaymusic.com/

1. Dog On A Leash 3:35
2. Save The World 3:30
3. Different Kind Of Animal 3:21
4. Stuck 4:04
5. Keep Me Waiting 4:08
6. Undivided 3:19
7. Drive 3:38
8. Not Thinking About Me 4:19
9. Blur 3:12
10. Something More 3:01
11. We Came 3:21
12. I Know It All (Bonus Track) 2:49
13. Someone Said You’re Well (Bonus Track) 4:11
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Korn-The Paradigm Shift World Tour Edition-Reissue-2CD-FLAC-2014-FORSAKEN

Korn-The Paradigm Shift World Tour Edition-Reissue-2CD-FLAC-2014-FORSAKEN Download

Korn-The Paradigm Shift World Tour Edition-Reissue-2CD-FLAC-2014-FORSAKEN

Description :

Artist : Korn
Album : The Paradigm Shift
Label : Prospect Park (Universal)
Genre : Hard Rock
Source : 2CD World Tour Edition
Street Date : 2014-07-22
Quality : 1051kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 671.51 MB
Time : 85:09 min
Url : http://www.Korn.com

Disc 1/2 – The Paradigm Shift

1. Prey For Me 3:35
2. Love & Meth 4:03
3. What We Do 4:07
4. Spike In My Veins 4:24
5. Mass Hysteria 4:04
6. Paranoid & Aroused 3:35
7. Never Never 3:41
8. Punishment Time 4:00
9. Lullaby For A Sadist 4:18
10. Victimized 3:36
11. It’s All Wrong 3:32

Disc 2/2 – Bonus CD

1. Hater 3:53
2. The Game Is Over 3:41
3. Die Another Day 3:43
4. Love & Meth (Live From London) 4:10
5. Here To Stay (Live From London) 4:53
6. Get Up (Live From Moscow) 4:07
7. Never Never (Live From Moscow) 4:20
8. Got The Life (Live From Denver) 4:02
9. Another Brick In The Wall (Live From Denver) 9:25

Back in 2013 we brought you the Deluxe Edition of The Paradigm
Shift. Now in 2014, we are proud to bring the 2CD “World Tour
Edition” featuring a 9 track bonus CD with new and unreleased
live songs!

Support & Enjoy!!! :)
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